I have new found respect for this woman.
reblog for respect
no but women are so badass okay
because there will inevitably come a point in every woman’s life where she wakes up in a pool of her own blood and her reaction will be dammit now i have to do laundry
that is some suave superhero shit and you won’t ever be able to convince me otherwise
is he from star wars?
eVERYBODY IS BASICALLY CAPTAIN AMERICA EXCEPT FOR CAPTAIN AMERICA
I’m sorry but are we not going to point out that a 6 year old knows Hannibal…
Like father like son
![critormiss:
Bryan Fuller on Hannibal’s Shining homage: I’ve been wanting to do the bathroom [set] forever. I tried to do it several times on Pushing Daisies but we always had budget restrictions and I wanted it to be exactly like that bathroom. Every show I’ve done I wanted to build a bathroom that looked like that space. What’s so remarkable about it is it’s a purely psychological space. You were inside this secret corner of Jack Torrance’s mind where the ghost of Overlook’s past has cornered him and is having a conversation about killing his family. It’s almost like a fantasy bathroom that actually doesn’t exist in reality because it’s anachronistic to the rest of the ballroom — it’s such a stark juxtaposition to everything else that we’re seeing at the hotel. It’s like they dipped the entire set in blood. Like it’s some symbolic weapon that hadn’t entirely penetrated the victim. That impressed me the most and had the biggest impression on me. I understood watching it as a 10 year old that this was psychological storytelling. He wasn’t concerned what was real or what was not real. (x)](http://25.media.tumblr.com/917db983eb554bc2bbd02f0c8996ca2d/tumblr_mkwq8nWwzV1qzs74ko1_500.jpg)
Bryan Fuller on Hannibal’s Shining homage: I’ve been wanting to do the bathroom [set] forever. I tried to do it several times on Pushing Daisies but we always had budget restrictions and I wanted it to be exactly like that bathroom. Every show I’ve done I wanted to build a bathroom that looked like that space. What’s so remarkable about it is it’s a purely psychological space. You were inside this secret corner of Jack Torrance’s mind where the ghost of Overlook’s past has cornered him and is having a conversation about killing his family. It’s almost like a fantasy bathroom that actually doesn’t exist in reality because it’s anachronistic to the rest of the ballroom — it’s such a stark juxtaposition to everything else that we’re seeing at the hotel. It’s like they dipped the entire set in blood. Like it’s some symbolic weapon that hadn’t entirely penetrated the victim. That impressed me the most and had the biggest impression on me. I understood watching it as a 10 year old that this was psychological storytelling. He wasn’t concerned what was real or what was not real. (x)
Kili in three colours
tv-shows [1/5] » the walking dead
brokeback mount doom

Fire from a burning building being sucked into a tornado.
wh
get out of there fireman what are you doing
there’s a tornado
I can’t stop laughing at this fireman
he’s just standing there going
“well darn, look at that.
fire tornado.
huh.”
the original trio (1977-1983)